In his first feature, Lars von Trier creates a scorched metaphysical purgatory called Europe, where a policeman’s methodical system of retracing the steps of a killer slowly deteriorates his own sense of identity. MELANCHOLIA and BREAKING THE WAVES will continue to be the von Trier movies I return to for emotional heft, but his surreal take on noir is riveting.
The Bri-terion CollectionI’m loving the Criterion Channel streaming service, so every week I’m going to share my favorite new find. 
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