miscellaneous reviews
As Tommy in Stay by Lucy Thurber, directed by Gaye Taylor Upchurch
In Rattlestick Playwrights Theater's Obie Award-Winning The Hill Town Plays
In Rattlestick Playwrights Theater's Obie Award-Winning The Hill Town Plays
"Five-play series...brightened by Deirdre O'Connell, Mia Vallet, and Brian Miskell... "Miskell makes the most of a small but important role in Stay as a rich-kid college student who reveals his own scars." – Joe Dziemianowicz, New York Daily News |
As John Merrick in The Elephant Man by Bernard Pomerance, directed by Thom Garvey

With Steven Northrup and Caitlin Hannon. © 2010
"Miskell walks with a cane for the duration of the play and also keeps his face in a sort of grimace to imitate Merrick's misshapen mouth...Miskell does a superb job at portraying the physical hardships Merrick [The Elephant Man] endured without the help of cosmetics, but more importantly, he makes the audience feel his emotional turmoil far more.
"He is fully submerged in his character, introspective, intelligent and kind. Miskell makes you feel so much more for Merrick than just sorrow for his appearance, and without any outward signs of deformity, it is easy to forget that Merrick is different from the other characters on stage in any way."
- Kerri Jarema, The Ticker
"He is fully submerged in his character, introspective, intelligent and kind. Miskell makes you feel so much more for Merrick than just sorrow for his appearance, and without any outward signs of deformity, it is easy to forget that Merrick is different from the other characters on stage in any way."
- Kerri Jarema, The Ticker
As Mike in The Mike and Morgan Show by Raphael Bob-Waksberg, directed by Lacy Post

With Emma Galvin. © 2010 Aaron Epstein
"What follows is a touching cleverly crafted narrative that is acted with such commitment that at the end, you feel like you need to call your best friend...Brian Miskell and Emma Galvin are both charming as Mike and Morgan and easily keep you engaged throughout the piece...
"The show moves along at a great pace and provides laugh out loud moments with moments for serious reflection...
"It's not often that actors can pull off miming opening and shutting car doors, but...both Galvin and Miskell are so in tune with the feel of the piece that it works every time."
- Michael Roderick, One Producer in the City
As Holden Caulfield, "The Catcher," in Ghetto Babylon by Michael Mejias, directed by Gregory Simmons
"Brian Miskell did the neat trick of bringing a fictional character to life. So much so, you'd think he really came out of the book. I even caught myself thinking, "Wow, that's what that guy is really like."
- Chris Harcum, The Harcum Post
- Chris Harcum, The Harcum Post