We have so many documents of artists at their polished best, but no one ever lets us in to see someone face the terrible feeling that they’re letting the room down. Watching Elaine Stritch record “The Ladies Who Lunch” is a raw, harrowing journey to hell and back, but there’s nothing like watching a genius hit a wall, then come back triumphant, to give you hope. As we’re looking ahead to reopenings, a reminder to be patient.
The Bri-terion Collection
I’m loving the Criterion Channel streaming service, so every week I’m going to share my favorite new find.