By showing us post-revolutionary Havana through the lens of a disaffected writer, Tomás Gutiérrez Alea subtly highlights the limitations of the intellectual class. His narrator dismisses those around him as “underdeveloped,” but the character’s impotent pity takes no ownership of his own role in his country’s struggles.
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The Bri-terion CollectionI’m loving the Criterion Channel streaming service, so every week I’m going to share my favorite new find. Archive
September 2022
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