The earliest Mike Leigh piece I’ve seen is full of the vivid characterizations and sublimated feeling his process is known for. Ground down by Margaret Thatcher’s austerity, a family on the dole covers their resentment by tearing each other down instead, sabotaging each opportunity any of them have to change their circumstances. Gary Oldman’s manic skinhead is the showy performance, but I found Tim Roth’s debilitatingly shy “Muppet” of a little brother to be captivating.
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The Bri-terion CollectionI’m loving the Criterion Channel streaming service, so every week I’m going to share my favorite new find. 
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September 2022
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