The maneuvers in 22-year-old Mário Peixoto’s first and only film still feel revolutionary today. He captures our hallucinating castaways by sticking the camera in the dirt, swinging it around wildly on a rickety rooftop, and shooting such extreme close-ups that a spool of thread becomes threatening.
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The Bri-terion CollectionI’m loving the Criterion Channel streaming service, so every week I’m going to share my favorite new find. Archive
September 2022
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