Maybe more than anything I’ve watched in quarantine, I hope someday I can see Carlos Reygadas’s hypnotic enigma of a movie in a theater. He patiently unfolds his story–a painter retreats to a remote village to end his life, where an aging indigenous woman takes him in–with meditative imagery of landscapes and animals and human fumbling, all observed with a dispassionate honesty that reeled me in.
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The Bri-terion CollectionI’m loving the Criterion Channel streaming service, so every week I’m going to share my favorite new find. 
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September 2022
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